Brainworx bx_digital V2 User Manual Page 13

  • Download
  • Add to my manuals
  • Print
  • Page
    / 21
  • Table of contents
  • BOOKMARKS
  • Rated. / 5. Based on customer reviews
Page view 12
!
!
! ! ! ! ! ! ! ! ! ! !
Solo
To listen to any channel solo press its Solo switch. Soloing any other channel deactivates any previous channel Solo.
You can also deactivate by clicking the same Solo switch again when it is active. Several Solo knobs cannot be linked.
One Solo knob only can be activated at the same time.
Fader Link
“Fader Link” on will link the Gain boost fader and the Threshold fader to “drive that channel into the limiter” harder
or softer without altering the overall volume of that channel. The Gain Boost and Threshold sliders will
automatically be moved contrarily when Fader link is ON (blue LED indicates ON). Gain boost “up” results in the
Threshold being pulled down automa- tically and vice versa!
Temporary Linking: you can link Gain Boost & Threshold without engaging Fader Link by just clicking between the 2
arrows in the channel metering section.
(1-click Fader Link for temporary linking)
Sidechain Active
When a channel’s Sidechain switch is lit (by clicking on the switch), the sidechain signal becomes the “trigger” for the
channel’s limiter and the internal audio signal is not used for the sidechain. See the next section to select the
sidechain signal.
Sidechain Mix
Click on the two labels / buttons that are located directly below the Sidechain Mix slider in turn to select two signal
sources for bx_XL’s sidechain signal.
The 5 available choices are:
• Mid Lo • Mid Hi • Mid (Mid Hi & Mid Lo combined) • Side • External [Sidechain provided by many hosts]
After you’ve chosen your two sidechain signals, blend them together in any proportion by sliding the Sidechain Mix
slider to the left or right. This blended sidechain signal serves as the “triggering” signal for the limiter for any or all
of the 3 audio channels (Mid Lo, Mid Hi or Side) which have their Sidechain switch activated.
In the example (lef picture) you would be blending a the MID and SIDE signals. This would give you a combination of
(let ́s say) all of your stereo guitar or keyboard sounds from your mix) with a bit of bass drum and snare peaks
added. If you used this signal to trigger your S channel the S channel limiter would react on the peaks of the bass
drum and snare to make the stereo elements of your mix (keys, piano, etc.) “groove” with the beats of your track.
Page view 12
1 2 ... 8 9 10 11 12 13 14 15 16 17 18 19 20 21

Comments to this Manuals

No comments